Friday Music
June 2025

St Stephen's Uniting Church
197 Macquarie St, Sydney
(opposite Parliament House)


Entry by note donation

www.ssms.org.au




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6 June

Suzi Stengel (soprano)

Bradley Gilchrist (pianoforte)

 


L'invitation au voyage - Henri Duparc (1848-1933)

Zur Rosenzeit (Solveig's Lied) - Edvard Greig (1843-1907)

Iolanta's arioso – Iolanta's aria from the opera Iolanta, Op 69 - Pytotr Illyich Tchaicovsky (1840-1893)

A Nightingale Sings to the Rose, Op.2, No.2 - Nikolai Rimsky Korsakov (1844-1908)

Kdyz mne stara matka - Antonín Dvorák (1841-1904)

Io son l'umile ancella - Adriana's aria from the opera Adriana Lecouvreur - Francesco Cilea (1866-1950)

Signore ascolta – Liu's aria from the opera Turandot - Giacomo Puccini (1858-1924)

La mamma morta - Maddalena's aria from the opera Andrea Chénier - Umberto Giordano (1867-1948)

Pace, pace mio Dio – Leonora's aria from the opera La forza del destino - Giuseppe Verdi (1813-1901)

 

Suzi Stengel, a soprano of international acclaim from Rome, Italy, was raised in South Africa and now calls Australia home. This means she has an Italian temperament, a South African accent and a Masters of Music, obtained in Sydney, Australia. In Durban Suzi's musical journey began with the KZNPO (KwaZulu Natal Philharmonic Orchestra), performing in Berlioz's "Le Nuit D'ete," marking the onset of her career.

Her talent quickly gained her recognition, leading to numerous guest soloist engagements with the KZNPO. Suzi's passion for solo performance saw her captivating audiences through solo recitals hosted by the Friends of Music and Not the Grahamstown Festival, alongside a number of appearances with the Baroque 2000 Orchestra and The Early Music Ensemble.

In Sydney, she collaborated with the Hourglass Ensemble in programs like 'Hourglass Beach' and 'Danzas Amarosas' at iconic venues like the Sydney Opera House and the Melbourne Recital Centre. Additionally, she performed as Mimi in 'La Boheme a piacere' at The Independent Theatre in Sydney. She has performed regularly at The Art Gallery of NSW, St Andrews and St Stephens in their lunchtime recital series, and throughout Sydney and the Central Coast as a solo recitalist.

Suzi's repertoire extends to paying tribute to history, with her participation in the "Salute to the Anzacs" Concert with Coast Opera Australia at the Central Coast Stadium. In 2022 and 2024, in a return to her roots, Suzi celebrated her 'home-coming' with recitals in Durban, accompanied by Dr Andrew Warburton. She continues the legacy of enchanting performances on both national and international stages.


Bradley Gilchrist
completed undergraduate piano studies in Perth and post-graduate studies in piano accompaniment and piano performance in Sydney and Madrid.  Bradley is and in-demand accompanist, chamber musician and vocal coach based in Sydney.  Bradley has been a concerto soloist with the Slovakia Philharmonic and the Odessa Philharmonic Orchestras and has given numerous solo and chamber music recitals across Australia and New Zealand and in South Korea, Spain, Italy and the United Kingdom. Bradley has broadcast for the ABC Young Australia programme, ABC Classic FM, Radio National and Fine Music FM.

Bradley enjoys chamber music and has performed in a variety of ensembles, particularly in flute and piano and piano trio repertoire. As repetiteur, Bradley’s early experience in ballet repertoire extended to opera and he has been repetiteur and pianist for WA Opera, Opera Australia as well as many chamber and emerging opera companies. Bradley has also worked in musical theatre and cabaret, as a pit musician, vocal coach and musical director.

Bradley leads a busy life as a freelance accompanist and vocal coach for auditions, recitals, recordings, broadcasts and concert performances. 

Bradley is very interested in participating in music making in community settings and has always directed and participated in community theatre and choral groups. He is the conductor of Canada Bay Community choir but is sought after as a guest conductor and accompanist for many other groups.

Bradley works extensively as a mentor for young vocal and instrumentalArtists. He has until very recently held the positions of Music Director of the Young Artist Programme at Pacific Opera and Music Director at Australia’s oldest Music Club, Music at Manly.

 

 

13 June

Monique O'Dea (violin) &

Ray Lemond (pianoforte)

 

 



"A LITTLE LIGHT MUSIC"


'A concert of delightful music for all tastes.'


Melodie Op 42 - Tschaikovsky (1840-1893)

Spanish Danses (2) - Moritz Moszkowski (1854-1925)

Schon Rosmarin & Liebeslied - Fritz Kreisler (1875-1962)

PIANO SOLO

Ladies in Lavender (movie) - Nigel Hess (b. 1953)

Rumanian Dances - Bela Bartok (1881-1945)

Nightclub 1960 (Tango) - Astor Piazzolla (1921-1992)

 

Change of program

Ray Lemond (pianoforte)

 

'Music à la carte'

'A concert of delightful music for all tastes.'

 

1.    2 Sarabandes  - Arcangelo CORELLI (1653 - 1713) & J.S. BACH (1685 - 1750)

2.    Sonata in F K332 - Wolfgang Amadeus MOZART (1756 - 1791)
(i) Allegro
(ii) Adagio

3.    Petite Suite de Concert (2 movements) - SAMUEL COLERIDGE-TAYLOR (1875 - 1912)

4.    Improvisation No.15 & Nocturne - FRANCIS POULENC (1899 - 1963)

5.    La Nascita delle Cosa Secrete - LUDOVICO EINAUDI (1955 - )

6.    Il Bacio - Concert Waltz - LUIGI ARDITI (1822 - 1903)


Monique O'Dea studied violin at the Adelaide Conservatorium with Beryl Kimber and subsequently won a scholarship to study in Vienna where she met her husband, Sydney violinist Michael O'Dea. After their time in Vienna, Monique and Michael moved to London for further studies and by this time, Monique had changed to the viola, something that had been in the back of her mind for a long time. She was appointed Principal Viola of the Peterborough String Orchestra.

After returning to Australia, Monique was appointed Co-Principal Viola of the Australian Chamber Orchestra. It was at this time that she first met Paul Dyer who was playing harpsichord with the orchestra. They became firm friends on a bus to Canberra.

Paul invited Monique to join his newly formed Australian Brandenburg Orchestra as Principal Viola. She has been a member of the Brandenburg since the very first concert at Sydney Opera House in 1990.



Ray Lemond studied piano at the Royal Northern College of Music, Manchester UK & at Trinity College of Music London.

Arriving in Australia in 1990, he became active in Sydney's Musical Theatre scene as Musical Director and in 2001 began working on luxury Cruise Ships as MD for the theatre band.

He now is engaged to perform on Cunard's fleet of elegant liners (where he met Monique!) as Solo Classical artist offering classical concerts to the guests onboard.

Ray & Monique are delighted to be performing for you in the beautiful setting of St Stephens, Sydney.

 

 

 

20 June

Elena Marcello (mezzo soprano)

Louise Keast (soprano)

Bradley Gilchrist (pianoforte)

 



 

 

Les Nuits d'été (Summer Nights) - Hector Berlioz (1803 - 1869)

No. 1 Villanelle
No. 2 Le spectre de la rose
No. 3 Sur les lagunes 
No. 4 Absence
No. 5 Au cimetière 
No. 6 L'île inconnue 


En silence pourquoi souffrir (from Le Roi d'Ys) - Édouard Lalo (1823 - 1892)


Belle nuit, ô nuit d'amour / Barcarolle (from The Tales of Hoffmann) - Jacques Offenbach (1819 - 1880)


Elena Marcello (Mezzo-Soprano)

Elena Marcello is a Sydney-based mezzo-soprano who graduated with a Master of Music (Opera Performance) from the Melbourne Conservatorium of Music. Elena also holds a Bachelor of Music (Classical Voice) from the Western Australian Academy of Performing Arts, where she was awarded the Dame Mary Gilmore Award for a final-year vocalist. During her studies, Elena performed the roles of La Ciesca in Gianni Schicchi, La Badessa and La Sorella Infermiera in Suor Angelica, Second Lady in Die Zauberflöte,  Nerone in L'incoronazione di Poppea and Oberon in Britten's A Midsummer Night's Dream. In 2023 she performed the role of Mrs. Nolan with Operantics in their production of Menotti's The Medium, and in 2024 appeared in Poulenc's Dialogues des Carmélites with Gente, gente productions. She recently sang in Mahler's 8th Symphony with the West Australian Opera chorus, and received the Hedy Holt & Roger Prochazka Memorial Award and Merlyn Quaife Award at the 2024 National Liederfest.


Louise Keast (Soprano)

Based in Sydney, Louise Keast's voice has been described as a "splendid lyric soprano instrument" with the capacity to "rattle the walls". Louise debuted with the Opera Australia Chorus in the 2021 Melbourne Season production of Aida. She has since performed more than thirty operas as a chorister and became a permanent member of the Opera Australia Chorus in 2022. In February 2024 Louise performed her mainstage debut at the Sydney Opera House in the role of Papagena (The Magic Flute). Other roles and covers with Opera Australia include Freia (Das Rheingold), Spirits (Cinderella), Le Novizie (Il Trittico), First Page (Tannhäuser) and Cretan (Idomeneo). In 2025 Louise coached the role of Violetta Valéry (La Traviata), and will cover Frasquita (Carmen).Louise has performed with Victorian Opera, Melbourne Opera, IOpera, Operantics, Gertrude Opera, BK Opera, Canberra Opera, Port Fairy Spring Music Festival, the Mediterranean Opera Studio (Sicily) and the Festival Junger Künstler, Bayreuth (Germany).


Bradley Gilchrist (pianoforte)

Bradley Gilchrist completed undergraduate piano studies in Perth and post-graduate studies in piano accompaniment and piano performance in Sydney and Madrid.  Bradley is and in-demand accompanist, chamber musician and vocal coach based in Sydney.  Bradley has been a concerto soloist with the Slovakia Philharmonic and the Odessa Philharmonic Orchestras and has given numerous solo and chamber music recitals across Australia and New Zealand and in South Korea, Spain, Italy and the United Kingdom. Bradley has broadcast for the ABC Young Australia programme, ABC Classic FM, Radio National and Fine Music FM.

Bradley enjoys chamber music and has performed in a variety of ensembles, particularly in flute and piano and piano trio repertoire. As repetiteur, Bradley’s early experience in ballet repertoire extended to opera and he has been repetiteur and pianist for WA Opera, Opera Australia as well as many chamber and emerging opera companies. Bradley has also worked in musical theatre and cabaret, as a pit musician, vocal coach and musical director.

Bradley leads a busy life as a freelance accompanist and vocal coach for auditions, recitals, recordings, broadcasts and concert performances. 

Bradley is very interested in participating in music making in community settings and has always directed and participated in community theatre and choral groups. He is the conductor of Canada Bay Community choir but is sought after as a guest conductor and accompanist for many other groups.

Bradley works extensively as a mentor for young vocal and instrumentalArtists. He has until very recently held the positions of Music Director of the Young Artist Programme at Pacific Opera and Music Director at Australia’s oldest Music Club, Music at Manly.

 

 

 

 

 

27 June

Andrei Hadap (organ)

 

Photo by Adam Grubner @Pinchgut Opera

 

Prelude and Fugue in A minor (2024) - Andrei Hadap (b. 1999)


Chorale Preludes for Organ (2024) - Andrei Hadap (b. 1999)

Meditation on "Amazing Grace"
Carillon Fantasia on "Praise to the Lord"
A Canonic Gigue on "Be Thou My Vision"


Organ Sonata No. 1 in F minor, MWV W 56 (1845) - Felix Mendelssohn (1809–1847)

Allegro moderato e serioso
Adagio
Andante Recitativo
Allegro assai vivace


Andrei Hadap is a pianist, composer, scholar, and teacher based in Sydney. He completed his Bachelor of Music at the Sydney Conservatorium of Music, where he received First-Class Honours and several academic awards. As a pianist, Andrei made his orchestral debut performing Brahms' First Piano Concerto with the Penrith Symphony Orchestra, later performing Beethoven's Fourth Piano Concerto in 2023. He was the inaugural Continuo Fellow for Pinchgut Opera from 2021 to 2023. Andrei is also an emerging scholar with many research interests such as historical performance and pedagogy. He is currently a PhD candidate and Postgraduate Fellow at the Sydney Conservatorium of Music. As an organist, he was appointed as the Organ Scholar for St. Stephen's Uniting Church and frequently invited to perform organ with choirs around Sydney. More recently, he was the recipient of the 2025 2MBS Stefan Kruger Scholarship, and the winner of the 2025 Willoughby Symphony Orchestra Young Composer Award. As a multi-skilled musician, Andrei aims to push the boundaries of musical versatility. He is driven to blend these disciplines in his work to navigate the rapidly evolving musical landscape of today.

 




Please click here for details of the St Stephen's organ