Mary Immaculate & St Athanasius' Catholic Church
50 Whistler Street, Manly

Knud Smenge 1986 (2/27 mechanical)



From SOJ December 1984/January 1985, August/September 1986, February/March 1993, Summer 2004-5:

The organ was built by Knud Smenge of Melbourne and embodies the classical ideals in which Knud and Ilse Smenge were trained. It has two manuals of 58 notes and a concave radiating pedalboard of 30 notes. With mechanical action throughout, the instrument has casework of solid American Oak, mahogany windchests, bone naturals and rosewood sharps for the manuals and solid oak with ebony sharps for the pedals. The consultant was James Forsyth.

The organ is sited at an angle of 45 degrees to the axis of an acoustically resonant building, in the corner of the spacious north transept. It speaks directly into the church with the choir seated alongside.

From the early 1900s until 1964 there was a small pipe organ, possibly built by Estey, which was housed, until its purchase by the church, in the home of a nearby resident. It occupied a position in the church where the new instrument is now situated. The former organ was moved to the rear gallery when the church was enlarged, then, in 1963, the church was widened and the organ was returned to the northern transept. It was dismantled when it no longer functioned reliably and afterwards a second hand Hammond electronic was procured.

Fr Denis Ryan took the initiative to install a new organ when the Hammond was failing and this was made possible by two large contributions to the cost.

The organ was inaugurated during the 9.00am Mass on Sunday, 29th June 1986 in the presence of a congregation numbering more than one thousand people.




Photo: Anthony McGlynn.
This was taken in the early 70s after the original Estey was rebuilt by Ted Grantham and Chris Willcock.
The organ case was done at this time.

(Photo supplied by PdL)

Ted Grantham has supplied the following specification details (February 2014):

Original Specification

Great
Open Diapason
Dulciana
Principal

Swell
Gedact
Saicional
Harmonic Flute

Pedal
Bourdon

Couplers
Swell to Great
Great to Pedal
Swell to Pedal


8
8
4


8
8
4


16





   

 

Rebuilt Specification

Great
Open Diapason
Stopped Diapason
Principal
Twelfth
Fifteenth

Positive
Gedact
Open Flute
Fifteenth

Pedal
Open Diapason
-
-
-
-


8
8
4
2-2/3
2


8
4
2


8
4
2-2/3
2
1
   

 

Some stop names were not specified. All ranks are straight with no borrowing. The Pedal Bourdon was converted into an Open Diapason 8'. The Open Flute was converted from a Harmonic Flute. The treble of the original Open Diapason became the 2' on the Pedal. The Stopped Diapason (wood) was from Walker.

Mechanical action
No couplers

 

From two former parishioners at Manly, Martin Cooke and Anthony McGlynn, who supplied the following by email (2/3/10):

The old organ was moved from the gallery in about 1966-1968. It had two manuals with pedals and the largest pipes were from a stopped 8’ rank. [Pedal Bourdon 16'?]  As far as known it was only moved once and it had never been at the front of the church before.

The old organ had pneumatic action which was replaced with tracker when moved. The only problem with the reconstructed organ was a few leaks. An employee of Hills Music supplied a Hammond electric organ on loan for two years and played for the choir each Sunday. After convincing the church to buy the Hammond organ he stopped attending. It was located flat against the wall of the transept.

There were no structural changes to the church for many years prior to the moving of the organ.

The new current organ was proposed by Kathleen Papalo OAM [long-time organist of the church] and was constructed for just about $300,000.




The specification is:

Great
Principal
Rohrflöte
Octave
Flute Harm.
Cornet
Flute
Mixture
Cymbel
Trumpet

Swell
Gedackt
Spitzgamba
Vox Celeste
Principal
Kobbelflöte
Octave
Nasat
Scharf
Trumpet Regal
Krumhorn (French)

Pedal
Principal
Subbass
Gedackt
Octave
Italian Principal
Rauschquint
Fagot
Trumpet

Couplers
Swell to Great
Great to Pedal
Swell to Pedal

Tremulant to Great
Tremulant to Swell

8
8
4
4
III
2
V-VII
II
8


8
8
8
4
4
2
1-1/3
IV
16
8


16
16
8
8
4
IV
16
8









(façade)



TC







*
TC









+ (façade)
















Compass 58/30
Mechanical action
Toe levers duplicate couplers

* 12 bass notes grooved to Gedackt
+ bottom octave made up of two ranks - Subbass 16 plus Octave 8 (different pipes from those in the other ranks with the same names)








© PdL 2006




The two photos above were taken by Anthony McGlynn, a former parishioner, and show the old organ in 1966 when it was located in the centre of the western gallery. There appears to be no casework on the side(s). The organist is Stuart Conroy who played in the mid 60s. After him came Betty Hogan and then Kath Papallo. The console is not the original Estey one but the one which was built by Ted Grantham and Chris Willcock. The console appears to show a number of 'prepared for stops'.



The stop keys on the original Estey console were a mini keyboard arrangement: white keys press down for on, black keys press down for off. These were placed in the centre above the swell keyboard as shown in a photograph of another identical console above (link to photograph provided by David Molloy and accessed 15 September 2016 at: http://www.andrewsmithpipeorgans.com/assets/images/organ-restoration-first-congregational/File0002.jpg).

(Photos and notes supplied by Pastor de Lasala, September 2016)